Dirty Philthy Beautiful - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 128
- Open Key
- 2d
- Energy
- 89/100
- Pop
- 1/100
- Length
- 5:50
- Released
- 2014
- Album
- Dirty Philthy Beautiful
- Genre
- Trance
- Loudness
- -2.7 dB
- Dynamics
- 12.8 dB
- ISRC
- NLF711405255
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dirty Philthy Beautiful - Radio Editversion9B · 128
Dirty Philthy Beautiful - Original Mix is a peak-time tempo trance track in G major (9B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Darker than 87% of Orjan Nilsen's catalogue.
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
- Low end:
- more treble-tilted than 84% of Orjan Nilsen's catalogue
- Reach:
- more underground than 78% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Dirty Philthy Beautiful - Original Mix in?
Dirty Philthy Beautiful - Original Mix by Orjan Nilsen is in G major, or 9B on the Camelot wheel.
What BPM is Dirty Philthy Beautiful - Original Mix?
Dirty Philthy Beautiful - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Dirty Philthy Beautiful - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Dirty Philthy Beautiful - Original Mix good for peak time?
With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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