Now We Are Talking
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 89/100
- Pop
- 0/100
- Length
- 5:08
- Released
- 2015
- Genre
- Trance
- Loudness
- -4.1 dB
- Dynamics
- 12.8 dB
- ISRC
- NLF711503455
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Now We Are Talking (Radio Edit)version10A · 128
Now We Are Talking is a peak-time tempo trance track in D major (10B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Orjan Nilsen's catalogue.
- Brightness:
- darker than 95% of Orjan Nilsen's catalogue
- Low end:
- more treble-tilted than 94% of Orjan Nilsen's catalogue
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Now We Are Talking in?
Now We Are Talking by Orjan Nilsen is in D major, or 10B on the Camelot wheel.
What BPM is Now We Are Talking?
Now We Are Talking runs at 128 BPM, a peak-time tempo track.
What mixes well with Now We Are Talking?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Now We Are Talking good for peak time?
With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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