Don't Let It End
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 90/100
- Pop
- 9/100
- Length
- 4:08
- Released
- 2020
- Album
- Don’t Let It End
- Genre
- Progressive Trance
- Loudness
- -5.7 dB
- Dynamics
- 8.3 dB
- ISRC
- NLE712000936
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Let It End - Darren Porter Remixremix10A · 136
- Don't Let It End - Darren Porter Extended Remixremix10A · 136
- Don't Let It End - Chill Mixoriginal9B · 134
- Don't Let It End - Extended Mixversion10A · 128
Don't Let It End: peak-time tempo progressive trance, E minor (9A), 128 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 96% of Oliver Smith's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 85% of Oliver Smith's catalogue
- Tempo:
- slower than 78% of Oliver Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Don't Let It End in?
Don't Let It End by Oliver Smith is in E minor, or 9A on the Camelot wheel.
What BPM is Don't Let It End?
Don't Let It End runs at 128 BPM, a peak-time tempo track.
What mixes well with Don't Let It End?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Don't Let It End good for peak time?
With energy 90 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![Bayfront [Miami] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02399f39f2993fc7843463fec8){kind=small}
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Oliver Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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