Be the One (extended mix)
- BPM
- 128
- Open Key
- 7m
- Energy
- 73/100
- Pop
- 23/100
- Length
- 3:54
- Released
- 2025
- Genre
- Progressive Trance
- Loudness
- -5.7 dB
- ISRC
- GBEWA2501418
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in E♭ minor (2A), Be the One (extended mix) is a peak-time tempo progressive trance production. The feel is dark and driving. It is vocal-led. Better known than 85% of Oliver Smith's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 78% of Oliver Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Be the One (extended mix) in?
Be the One (extended mix) by Oliver Smith is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Be the One (extended mix)?
Be the One (extended mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Be the One (extended mix)?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Be the One (extended mix) good for peak time?
With energy 73 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
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How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Oliver Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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