Don't Let It End - Darren Porter Extended Remix
30s preview
- BPM
- 136
- Open Key
- 3m
- Energy
- 89/100
- Pop
- 20/100
- Length
- 7:41
- Released
- 2025
- Album
- Don’t Let It End (Darren Porter Remix)
- Genre
- Trance
- Label
- Magik Muzik
- Loudness
- -6.9 dB
- Dynamics
- 11.9 dB
- ISRC
- NLE712500421
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Let It End - Darren Porter Remixremix10A · 136
- Don't Let It Endoriginal9A · 128
- Don't Let It End - Chill Mixoriginal9B · 134
- Don't Let It End - Extended Mixversion10A · 128
Against the original (9A at 128 BPM), this version runs 8 BPM faster and moves the key from 9A to 10A.
At 136 BPM in B minor (10A), Don't Let It End - Darren Porter Extended Remix is a driving up-tempo trance production. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 94% of Oliver Smith's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 90% of Oliver Smith's catalogue
- Energy:
- hotter than 83% of Oliver Smith's catalogue
- Reach:
- better known than 79% of Oliver Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Don't Let It End - Darren Porter Extended Remix in?
Don't Let It End - Darren Porter Extended Remix by Oliver Smith is in B minor, or 10A on the Camelot wheel.
What BPM is Don't Let It End - Darren Porter Extended Remix?
Don't Let It End - Darren Porter Extended Remix runs at 136 BPM, a driving up-tempo track.
What mixes well with Don't Let It End - Darren Porter Extended Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Don't Let It End - Darren Porter Extended Remix good for peak time?
With energy 89 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Therapy (feat. James Newman) [STANDERWICK Remix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e028db237a063e305de324bbd80){kind=small}
How to mix it
In 10A at 136 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
![Dream [Mix Cut] - Giuseppe Ottaviani Rework by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More from Oliver Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Wondering [Your Love Leaves Me] by Factor B cover art](https://i.scdn.co/image/ab67616d00001e02cf9118b5501bd41521a609df){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.