Therapy (feat. James Newman) [STANDERWICK Remix] by Armin van Buuren cover art

Therapy (feat. James Newman) [STANDERWICK Remix]

Armin van Buuren

30s preview

Key
10B · D major
BPM
136
Open Key
3d
Energy
86/100
Pop
0/100
Length
3:00
Released
2018
Album
Therapy (feat. James Newman) [Remixes]
Genre
Trance
Loudness
-3.8 dB
Dynamics
9.6 dB
ISRC
NLF711807074

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (7A at 115 BPM), this version runs 21 BPM faster and moves the key from 7A to 10B.

At 136 BPM in D major (10B), Therapy (feat. James Newman) [STANDERWICK Remix] is a driving up-tempo trance production. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2018 production that still circulates in sets. More underground than 99% of Armin van Buuren's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood20Dark
Groove59
Acoustic0
Instrumental1
Live26
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Therapy (feat. James Newman) [STANDERWICK Remix] in?

Therapy (feat. James Newman) [STANDERWICK Remix] by Armin van Buuren is in D major, or 10B on the Camelot wheel.

What BPM is Therapy (feat. James Newman) [STANDERWICK Remix]?

Therapy (feat. James Newman) [STANDERWICK Remix] runs at 136 BPM, a driving up-tempo track.

What mixes well with Therapy (feat. James Newman) [STANDERWICK Remix]?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Therapy (feat. James Newman) [STANDERWICK Remix] good for peak time?

With energy 86 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#TrackKey·BPM

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 136 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

More trance

More from Armin van Buuren

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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