Don't Let It End - Extended Mix
- BPM
- 128
- Open Key
- 3m
- Energy
- 67/100
- Pop
- 3/100
- Length
- 7:08
- Released
- 2020
- Album
- Don’t Let It End
- Genre
- Progressive Trance
- Loudness
- -6.7 dB
- ISRC
- NLE712000935
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Let It End - Darren Porter Remixremix10A · 136
- Don't Let It End - Darren Porter Extended Remixremix10A · 136
- Don't Let It Endoriginal9A · 128
- Don't Let It End - Chill Mixoriginal9B · 134
Against the original (9A at 128 BPM), this version holds the same tempo and moves the key from 9A to 10A.
At 128 BPM in B minor (10A), Don't Let It End - Extended Mix is a peak-time tempo progressive trance production. The feel is dark and driving. It is vocal-led. Darker than 96% of Oliver Smith's catalogue.
- Reach:
- more underground than 89% of Oliver Smith's catalogue
- Groove:
- groovier than 81% of Oliver Smith's catalogue
- Tempo:
- slower than 78% of Oliver Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't Let It End - Extended Mix in?
Don't Let It End - Extended Mix by Oliver Smith is in B minor, or 10A on the Camelot wheel.
What BPM is Don't Let It End - Extended Mix?
Don't Let It End - Extended Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Don't Let It End - Extended Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Don't Let It End - Extended Mix good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
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More from Oliver Smith
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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