Who Am I by Ruben de Ronde cover art

30s preview

Key
9A · E minor
BPM
128
Open Key
2m
Energy
71/100
Pop
3/100
Length
3:51
Released
2019
Genre
Progressive Trance
Loudness
-6.2 dB
Dynamics
8.4 dB
ISRC
NLF711906090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in E minor (9A), Who Am I is a peak-time tempo progressive trance production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 99% of Ruben de Ronde's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 81% of Ruben de Ronde's catalogue
Energy:
calmer than 80% of Ruben de Ronde's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood80Bright
Groove72
Acoustic64
Instrumental90
Live18
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Who Am I in?

Who Am I by Ruben de Ronde is in E minor, or 9A on the Camelot wheel.

What BPM is Who Am I?

Who Am I runs at 128 BPM, a peak-time tempo track.

What mixes well with Who Am I?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Who Am I good for peak time?

With energy 71 out of 100 at 128 BPM, it works best as a floor-filler.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More progressive trance

More from Ruben de Ronde

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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