
Ready - Andrew Bennett Dub Mix
- BPM
- 128
- Open Key
- 5d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 7:13
- Released
- 2011
- Album
- Ready, Pt. 2
- Genre
- Trance
- Loudness
- -7.6 dB
- ISRC
- DEQ691000121
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready - Dub Mixversion11B · 138
- Ready - Maarten De Jong Dub Mixversion11B · 134
- Ready - Sebastian Krieg & Roman F. Dub Mixversion11A · 129
- Ready - Sied van Riel Remixremix1B · 138
- Ready - Walsh & McAuley Dub Mixversion11B · 135
- Readyoriginal11B · 138
Against the original (11B at 138 BPM), this version runs 10 BPM slower and moves the key from 11B to 12B.
Ready - Andrew Bennett Dub Mix: peak-time tempo trance, E major (12B), 128 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Groovier than 99% of Giuseppe Ottaviani's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of Giuseppe Ottaviani's catalogue
- Brightness:
- darker than 98% of Giuseppe Ottaviani's catalogue
- Energy:
- calmer than 93% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ready - Andrew Bennett Dub Mix in?
Ready - Andrew Bennett Dub Mix by Giuseppe Ottaviani is in E major, or 12B on the Camelot wheel.
What BPM is Ready - Andrew Bennett Dub Mix?
Ready - Andrew Bennett Dub Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Ready - Andrew Bennett Dub Mix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Ready - Andrew Bennett Dub Mix good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Giuseppe Ottaviani
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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