Ready - Walsh & McAuley Dub Mix
- BPM
- 135
- Open Key
- 4d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 7:11
- Released
- 2011
- Album
- Ready, Pt. 2
- Genre
- Trance
- Loudness
- -9.3 dB
- ISRC
- DEQ691000125
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready - Andrew Bennett Dub Mixversion12B · 128
- Ready - Dub Mixversion11B · 138
- Ready - Maarten De Jong Dub Mixversion11B · 134
- Ready - Sebastian Krieg & Roman F. Dub Mixversion11A · 129
- Ready - Sied van Riel Remixremix1B · 138
- Readyoriginal11B · 138
Against the original (11B at 138 BPM), this version runs 3 BPM slower in the same key.
Ready - Walsh & McAuley Dub Mix: driving up-tempo trance, A major (11B), 135 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Calmer than 99% of Giuseppe Ottaviani's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Giuseppe Ottaviani's catalogue
- Groove:
- groovier than 90% of Giuseppe Ottaviani's catalogue
- Brightness:
- brighter than 76% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ready - Walsh & McAuley Dub Mix in?
Ready - Walsh & McAuley Dub Mix by Giuseppe Ottaviani is in A major, or 11B on the Camelot wheel.
What BPM is Ready - Walsh & McAuley Dub Mix?
Ready - Walsh & McAuley Dub Mix runs at 135 BPM, a driving up-tempo track.
What mixes well with Ready - Walsh & McAuley Dub Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Ready - Walsh & McAuley Dub Mix good for peak time?
With energy 52 out of 100 at 135 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
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How to mix it
In 11B at 135 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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