Sun & Moon (feat. Richard Bedford) - 7 Skies Remix
30s preview
- BPM
- 134
- Open Key
- 4m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 8:18
- Released
- 2011
- Album
- Sun & Moon (Part 1) (feat. Richard Bedford)
- Genre
- Progressive Trance
- Loudness
- -7.9 dB
- Dynamics
- 10.1 dB
- ISRC
- GBEWA1100054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sun & Moon - Blastoyz Remixremix11A · 138
- Sun & Moon - ilan Bluestone Remixremix11A · 130
- Sun & Moon - Live At The Hollywood Bowloriginal11A · 137
- Sun & Moon - Blastoyz Extended Mixversion11A · 138
- Sun & Moon - ilan Bluestone Extended Mixversion11A · 130
- Sun & Moon - Manila Killa Remixremix11A · 124
At 134 BPM in F♯ minor (11A), Sun & Moon (feat. Richard Bedford) - 7 Skies Remix is a peak-time tempo progressive trance production. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue.
- Low end:
- more bass-heavy than 96% of Above & Beyond's catalogue
- Brightness:
- brighter than 94% of Above & Beyond's catalogue
- Tempo:
- faster than 82% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Sun & Moon (feat. Richard Bedford) - 7 Skies Remix in?
Sun & Moon (feat. Richard Bedford) - 7 Skies Remix by Above & Beyond is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sun & Moon (feat. Richard Bedford) - 7 Skies Remix?
Sun & Moon (feat. Richard Bedford) - 7 Skies Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Sun & Moon (feat. Richard Bedford) - 7 Skies Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sun & Moon (feat. Richard Bedford) - 7 Skies Remix good for peak time?
With energy 64 out of 100 at 134 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 134 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![On My Way To Heaven [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
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