On My Way To Heaven - Radio Edit
30s preview
- Key
- 6A · G minor
- BPM
- 134
- Open Key
- 11m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 4:00
- Released
- 2011
- Album
- On My Way To Heaven
- Genre
- Progressive Trance
- Loudness
- -6.6 dB
- Dynamics
- 11.4 dB
- ISRC
- GBEWA1200516
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On My Way To Heavenoriginal5A · 134
- On My Way To Heaven - Live At The Hollywood Bowloriginal5A · 134
- On My Way To Heaven - Nox Vahn Remixremix10A · 125
- On My Way To Heaven - Above & Beyond Club Editversion6A · 132
- On My Way To Heaven - Above & Beyond Club Mixversion3A · 132
- On My Way To Heaven - Extended Album Mixversion6A · 134
Against the original (5A at 134 BPM), this version holds the same tempo and moves the key from 5A to 6A.
At 134 BPM in G minor (6A), On My Way To Heaven - Radio Edit is a peak-time tempo progressive trance production. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 82% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is On My Way To Heaven - Radio Edit in?
On My Way To Heaven - Radio Edit by Above & Beyond is in G minor, or 6A on the Camelot wheel.
What BPM is On My Way To Heaven - Radio Edit?
On My Way To Heaven - Radio Edit runs at 134 BPM, a peak-time tempo track.
What mixes well with On My Way To Heaven - Radio Edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is On My Way To Heaven - Radio Edit good for peak time?
With energy 72 out of 100 at 134 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Tranquility [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
How to mix it
In 6A at 134 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Sun and Moon [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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