Rock Your Body Rock
- Key
- 5A · C minor
- BPM
- 132
- Open Key
- 10m
- Energy
- 70/100
- Pop
- 2/100
- Length
- 5:15
- Released
- 2003
- Genre
- Trance
- Loudness
- -9.7 dB
- ISRC
- NLB770300058
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rock Your Body Rock - Original Editversion4B · 132
- Rock Your Body Rockoriginal5B · 132
- Rock Your Body Rock - Extended Mixversion2B · 132
- Rock Your Body Rock - ARTY Rock-N-Rolla Mixoriginal5B · 129
- Rock Your Body Rock - Dimitri Vegas & Like Mike Mainstage Remixremix4A · 129
- Rock Your Body Rock - Space Motion Extended Remixremix6B · 126
Rock Your Body Rock is a peak-time tempo trance track in C minor (5A) at 132 BPM. The feel is punchy, neutral in mood. A 2003 production that still circulates in sets. Brighter than 84% of Ferry Corsten's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 77% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rock Your Body Rock in?
Rock Your Body Rock by Ferry Corsten is in C minor, or 5A on the Camelot wheel.
What BPM is Rock Your Body Rock?
Rock Your Body Rock runs at 132 BPM, a peak-time tempo track.
What mixes well with Rock Your Body Rock?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Rock Your Body Rock good for peak time?
With energy 70 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Event Horizon [CC484] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0290404276e872a3623c9cda37){kind=small}
![Event Horizon [CC483] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026b5520771e6cba9693614dde){kind=small}
![You Got To Go [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
How to mix it
In 5A at 132 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Satellite [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
More trance
![Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
More from Ferry Corsten
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.