London Rain - Suspect 44 Remix
30s preview
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 8:12
- Released
- 2010
- Album
- London Rain
- Genre
- Trance
- Loudness
- -8.1 dB
- Dynamics
- 11.1 dB
- ISRC
- NLE711032604
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- London Rain (WYM142) [Extended Mix]version4A · 132
- London Rain - Back 2 Back 4 ReDubversion6B · 132
- London Rain - New Club Mixversion4A · 132
- London Rain - Ruben de Ronde Remixremix4A · 131
- London Rain - Stoneface & Terminal Remixremix4A · 132
- London Rain - Suspect 44 Dubversion4A · 132
London Rain - Suspect 44 Remix is a peak-time tempo trance track in F minor (4A) at 132 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. More underground than 99% of Cosmic Gate's catalogue.
- Groove:
- less groove-driven than 80% of Cosmic Gate's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is London Rain - Suspect 44 Remix in?
London Rain - Suspect 44 Remix by Cosmic Gate is in F minor, or 4A on the Camelot wheel.
What BPM is London Rain - Suspect 44 Remix?
London Rain - Suspect 44 Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with London Rain - Suspect 44 Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is London Rain - Suspect 44 Remix good for peak time?
With energy 79 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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