![London Rain (WYM142) [Extended Mix] by Cosmic Gate cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6bb83f8aa3e846275c24.webp)
London Rain (WYM142) [Extended Mix]
- Key
- 4A · F minor
- BPM
- 132
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:52
- Released
- 2016
- Album
- Wake Your Mind Radio 142
- Genre
- Trance
- Loudness
- -7.1 dB
- ISRC
- NLD681603148
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- London Rain - Back 2 Back 4 ReDubversion6B · 132
- London Rain - New Club Mixversion4A · 132
- London Rain - Ruben de Ronde Remixremix4A · 131
- London Rain - Stoneface & Terminal Remixremix4A · 132
- London Rain - Suspect 44 Dubversion4A · 132
- London Rain - Suspect 44 Remixremix4A · 132
A peak-time tempo trance cut, London Rain (WYM142) [Extended Mix] sits in F minor (4A) at 132 BPM. A 2016 production that still circulates in sets. More underground than 99% of Cosmic Gate's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 89% of Cosmic Gate's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is London Rain (WYM142) [Extended Mix] in?
London Rain (WYM142) [Extended Mix] by Cosmic Gate is in F minor, or 4A on the Camelot wheel.
What BPM is London Rain (WYM142) [Extended Mix]?
London Rain (WYM142) [Extended Mix] runs at 132 BPM, a peak-time tempo track.
What mixes well with London Rain (WYM142) [Extended Mix]?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is London Rain (WYM142) [Extended Mix] good for peak time?
With energy 94 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 132 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
![Forever (Stay Like This) [ASOT 1157] [Trending Track] - Club Mix by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e02c40c18f472dd5b005fd68d12){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Carry On (feat. Jaren) [Solis & Sean Truby Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.