I Never Want This To End (Extended Mix) by Amy Wiles cover art

I Never Want This To End (Extended Mix)

Amy Wiles

Key
5B · E♭ major
BPM
132
Open Key
10d
Energy
94/100
Pop
0/100
Length
2:59
Released
2025
Genre
Trance
Loudness
-7.1 dB
ISRC
GBEWA2505520

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

I Never Want This To End (Extended Mix): peak-time tempo trance, E♭ major (5B), 132 BPM. More underground than 99% of Amy Wiles's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 77% of Amy Wiles's catalogue
Groove:
less groove-driven than 77% of Amy Wiles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood29Dark
Groove54
Acoustic0
Instrumental64
Live36
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is I Never Want This To End (Extended Mix) in?

I Never Want This To End (Extended Mix) by Amy Wiles is in E♭ major, or 5B on the Camelot wheel.

What BPM is I Never Want This To End (Extended Mix)?

I Never Want This To End (Extended Mix) runs at 132 BPM, a peak-time tempo track.

What mixes well with I Never Want This To End (Extended Mix)?

From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.

Is I Never Want This To End (Extended Mix) good for peak time?

With energy 94 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

5B4B · 6B · 5A

From 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 5B

6BSimple Mix Upper
4BSimple Mix Downer
5ATonal Shift·
6ADiagonal Mix Upper
4ADiagonal Mix Downer
8ACompatible Tone·
7BHigh Energy Boost▲▲▲
3BHigh Energy Drain▼▼▼
8BParallel Key Upper▲▲
2BParallel Key Downer▼▼
12BTritone Jump▲▲
9BRelated Keyrisky

How to mix it

In 5B at 132 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More trance

More from Amy Wiles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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