Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix
30s preview
- BPM
- 132
- Open Key
- 5m
- Energy
- 95/100
- Pop
- 15/100
- Length
- 3:03
- Released
- 2015
- Album
- Armada Collected: John O'Callaghan
- Genre
- Trance
- Loudness
- -8.1 dB
- Dynamics
- 11.3 dB
- ISRC
- NLF711504611
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in D♭ minor (12A), Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix is a peak-time tempo trance production. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. Brighter than 90% of John O'Callaghan's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 89% of John O'Callaghan's catalogue
- Reach:
- better known than 84% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix in?
Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix by John O'Callaghan is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix?
Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Shipwrecked - Mike Foyle vs John O'Callaghan Club Mix good for peak time?
With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
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How to mix it
In 12A at 132 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
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More from John O'Callaghan
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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