Huracan - Ben Gold Remix
30s preview
- BPM
- 132
- Open Key
- 11d
- Energy
- 95/100
- Pop
- 2/100
- Length
- 5:27
- Released
- 2015
- Album
- Huracan (Ben Gold Remix)
- Genre
- Trance
- Loudness
- -4.1 dB
- Dynamics
- 9.4 dB
- ISRC
- NLF711503271
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Huracanoriginal3B · 128
- Huracan - Ben Gold Remixremix6B · 132
Against the original (3B at 128 BPM), this version runs 4 BPM faster and moves the key from 3B to 6B.
At 132 BPM in B♭ major (6B), Huracan - Ben Gold Remix is a peak-time tempo trance production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Hotter than 82% of Gareth Emery's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 80% of Gareth Emery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Huracan - Ben Gold Remix in?
Huracan - Ben Gold Remix by Gareth Emery is in B♭ major, or 6B on the Camelot wheel.
What BPM is Huracan - Ben Gold Remix?
Huracan - Ben Gold Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Huracan - Ben Gold Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Huracan - Ben Gold Remix good for peak time?
With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
![Remember This [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731){kind=small}
How to mix it
In 6B at 132 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
More from Gareth Emery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![London Rain (WYM142) [Extended Mix] by Cosmic Gate cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6bb83f8aa3e846275c24.webp){kind=small}
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