![Remember This [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731)
Remember This [Mix Cut] - Original Mix
- Key
- 6A · G minor
- BPM
- 132
- Open Key
- 11m
- Energy
- 97/100
- Pop
- 1/100
- Length
- 3:24
- Released
- 2013
- Album
- Buenos Aires '13 (Mixed Version)
- Genre
- Trance
- Loudness
- -5.7 dB
- ISRC
- NLF711310437
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Remember Thisoriginal6A · 130
- Remember This - Mark Sherry Remixremix9B · 132
- Remember This - Original Mixoriginal9B · 130
- Remember This (Radio Edit)version6A · 130
Remember This [Mix Cut] - Original Mix is a peak-time tempo trance track in G minor (6A) at 132 BPM. It reads as dark and driving. A 2013 production that still circulates in sets. Hotter than 93% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Remember This [Mix Cut] - Original Mix in?
Remember This [Mix Cut] - Original Mix by Markus Schulz is in G minor, or 6A on the Camelot wheel.
What BPM is Remember This [Mix Cut] - Original Mix?
Remember This [Mix Cut] - Original Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Remember This [Mix Cut] - Original Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Remember This [Mix Cut] - Original Mix good for peak time?
With energy 97 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 132 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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