Stay Gold (In Bloom 2025)
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 74/100
- Pop
- 26/100
- Length
- 3:35
- Released
- 2025
- Album
- In Bloom 2025 (Vocal Dance Mix)
- Genre
- Trance
- Loudness
- -10.9 dB
- Dynamics
- 14.5 dB
- ISRC
- NLD682501365
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stay Goldoriginal8B · 124
- Stay Gold (GDJB Weekly Drive 5)original8B · 125
At 125 BPM in C major (8B), Stay Gold (In Bloom 2025) is a club-tempo trance production. The feel is dark and driving. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 98% of Markus Schulz's catalogue.
- Brightness:
- darker than 93% of Markus Schulz's catalogue
- Tempo:
- slower than 92% of Markus Schulz's catalogue
- Low end:
- more treble-tilted than 82% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Stay Gold (In Bloom 2025) in?
Stay Gold (In Bloom 2025) by Markus Schulz is in C major, or 8B on the Camelot wheel.
What BPM is Stay Gold (In Bloom 2025)?
Stay Gold (In Bloom 2025) runs at 125 BPM, a club-tempo track.
What mixes well with Stay Gold (In Bloom 2025)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Stay Gold (In Bloom 2025) good for peak time?
With energy 74 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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