You Won't See Me Cry (radio edit) by Markus Schulz cover art

You Won't See Me Cry (radio edit)

Markus Schulz

Key
8A · A minor
BPM
136
Open Key
1m
Energy
84/100
Pop
29/100
Length
7:44
Released
2000
Genre
Trance
Loudness
-10.7 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

You Won't See Me Cry (radio edit) is a driving up-tempo trance track in A minor (8A) at 136 BPM. The master keeps real dynamic headroom. A 2000 production that still circulates in sets. Better known than 99% of Markus Schulz's catalogue.

Tempo:
faster than 93% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood24Dark
Groove56
Acoustic0
Instrumental41
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is You Won't See Me Cry (radio edit) in?

You Won't See Me Cry (radio edit) by Markus Schulz is in A minor, or 8A on the Camelot wheel.

What BPM is You Won't See Me Cry (radio edit)?

You Won't See Me Cry (radio edit) runs at 136 BPM, a driving up-tempo track.

What mixes well with You Won't See Me Cry (radio edit)?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is You Won't See Me Cry (radio edit) good for peak time?

With energy 84 out of 100 at 136 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 136 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 136 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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