The Gardens by Spencer Brown cover art

The Gardens

Spencer Brown

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
72/100
Pop
22/100
Length
4:36
Released
2018
Genre
Progressive House
Loudness
-9.0 dB
ISRC
GBEWA1800650

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 125 BPM in B♭ minor (3A), The Gardens is a club-tempo progressive house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More bass-heavy than 96% of Spencer Brown's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 93% of Spencer Brown's catalogue
Reach:
better known than 84% of Spencer Brown's catalogue
Energy:
calmer than 77% of Spencer Brown's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood17Dark
Groove54
Acoustic3
Instrumental96
Live9
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
24%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is The Gardens in?

The Gardens by Spencer Brown is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Gardens?

The Gardens runs at 125 BPM, a club-tempo track.

What mixes well with The Gardens?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Gardens good for peak time?

With energy 72 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More progressive house

More from Spencer Brown

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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