51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 5:04
- Released
- 2018
- Album
- We Are the Light (The Extended Mixes)
- Genre
- Trance
- Loudness
- -7.1 dB
- ISRC
- NLE711800575
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 51°11′17″N 10°3′10″E [We Haven’t Lost Our Way] -original3B · 128
- 51°11′17″n 10°3′10″e - We Haven't Lost Our Wayoriginal4A · 125
Against the original (3B at 128 BPM), this version runs 3 BPM slower and moves the key from 3B to 4A.
51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix: club-tempo trance, F minor (4A), 125 BPM. It is vocal-led. A 2018 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 92% of Markus Schulz's catalogue
- Brightness:
- brighter than 86% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is 51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix in?
51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix by Markus Schulz is in F minor, or 4A on the Camelot wheel.
What BPM is 51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix?
51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix runs at 125 BPM, a club-tempo track.
What mixes well with 51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is 51°11′17″N 10°3′10″E (We Haven’t Lost Our Way) - Extended Mix good for peak time?
With energy 74 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.