Remember This (Radio Edit)
30s preview
- Key
- 6A · G minor
- BPM
- 130
- Open Key
- 11m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 3:33
- Released
- 2013
- Album
- Buenos Aires '13
- Genre
- Trance
- Loudness
- -6.6 dB
- Dynamics
- 15.0 dB
- ISRC
- NLF711310142
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Remember Thisoriginal6A · 130
- Remember This - Mark Sherry Remixremix9B · 132
- Remember This [Mix Cut] - Original Mixoriginal6A · 132
- Remember This - Original Mixoriginal9B · 130
Against the original (6A at 130 BPM), this version holds the same tempo in the same key.
A peak-time tempo trance cut, Remember This (Radio Edit) sits in G minor (6A) at 130 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2013 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 89% of Markus Schulz's catalogue
- Energy:
- hotter than 88% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Remember This (Radio Edit) in?
Remember This (Radio Edit) by Markus Schulz is in G minor, or 6A on the Camelot wheel.
What BPM is Remember This (Radio Edit)?
Remember This (Radio Edit) runs at 130 BPM, a peak-time tempo track.
What mixes well with Remember This (Radio Edit)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Remember This (Radio Edit) good for peak time?
With energy 95 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Noom [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
How to mix it
In 6A at 130 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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