
State of Mind
30s preview
- Key
- 7A · D minor
- BPM
- 130
- Open Key
- 12m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:06
- Released
- 2023
- Album
- Feel Again (Remixes)
- Genre
- Trance
- Loudness
- -4.4 dB
- Dynamics
- 11.2 dB
- ISRC
- NLF712300860
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- State of Mind - Extended Mixversion6A · 130
State of Mind is a peak-time tempo trance track in D minor (7A) at 130 BPM. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Armin van Buuren's catalogue.
- Groove:
- less groove-driven than 91% of Armin van Buuren's catalogue
- Brightness:
- darker than 90% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is State of Mind in?
State of Mind by Armin van Buuren is in D minor, or 7A on the Camelot wheel.
What BPM is State of Mind?
State of Mind runs at 130 BPM, a peak-time tempo track.
What mixes well with State of Mind?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is State of Mind good for peak time?
With energy 94 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 130 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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