Light Side of the Harmony (FYH 200 Anthem) (extended mix)
30s preview
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 3:55
- Released
- 2020
- Genre
- Trance
- Loudness
- -3.4 dB
- Dynamics
- 10.5 dB
- ISRC
- NLF712001419
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Light Side of the Harmony (FYH 200 Anthem) (extended mix): peak-time tempo trance, F minor (4A), 130 BPM. The feel is punchy, neutral in mood. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of Andrew Rayel's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 94% of Andrew Rayel's catalogue
- Brightness:
- brighter than 85% of Andrew Rayel's catalogue
- Tempo:
- slower than 79% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Light Side of the Harmony (FYH 200 Anthem) (extended mix) in?
Light Side of the Harmony (FYH 200 Anthem) (extended mix) by Andrew Rayel is in F minor, or 4A on the Camelot wheel.
What BPM is Light Side of the Harmony (FYH 200 Anthem) (extended mix)?
Light Side of the Harmony (FYH 200 Anthem) (extended mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Light Side of the Harmony (FYH 200 Anthem) (extended mix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Light Side of the Harmony (FYH 200 Anthem) (extended mix) good for peak time?
With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Fall Into You [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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