Phone Down - Club Mix
- BPM
- 130
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 2/100
- Length
- 3:13
- Released
- 2019
- Album
- Phone Down (Club Mix)
- Genre
- Trance
- Loudness
- -6.0 dB
- ISRC
- NLF711903187
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Phone Down - Extended Club Mixversion3A · 130
- Phone Downoriginal3A · 105
- Phone Down - Andrelli Remixremix3B · 105
- Phone Down - BRKLYN Remixremix3B · 123
- Phone Down - Jorn van Deynhoven Remixremix3A · 138
- Phone Down - OFFAIAH Remixremix3A · 125
Against the original (3A at 105 BPM), this version runs 25 BPM faster in the same key.
Phone Down - Club Mix runs 130 BPM in B♭ minor (3A), a peak-time tempo trance record. The feel is dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. Less groove-driven than 93% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Phone Down - Club Mix in?
Phone Down - Club Mix by Armin van Buuren is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Phone Down - Club Mix?
Phone Down - Club Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Phone Down - Club Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Phone Down - Club Mix good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![All Your Colours [Mix Cut] - Andrew Rayel Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.