Biding Time by Amy Wiles cover art

Biding Time

Amy Wiles

30s preview

Key
1A · A♭ minor
BPM
130
Open Key
6m
Energy
89/100
Pop
26/100
Length
3:34
Released
2021
Album
Anjunabeats Rising - Volume 6
Genre
Trance
Loudness
-6.1 dB
Dynamics
10.4 dB
ISRC
GBEWA2103002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Biding Time: peak-time tempo trance, A♭ minor (1A), 130 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 86% of Amy Wiles's catalogue.

Brightness:
brighter than 82% of Amy Wiles's catalogue
Reach:
better known than 77% of Amy Wiles's catalogue
Low end:
more treble-tilted than 77% of Amy Wiles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood40Balanced
Groove53
Acoustic0
Instrumental70
Live46
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Biding Time in?

Biding Time by Amy Wiles is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Biding Time?

Biding Time runs at 130 BPM, a peak-time tempo track.

What mixes well with Biding Time?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Biding Time good for peak time?

With energy 89 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More trance

More from Amy Wiles

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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