Biding Time - Extended Mix
- BPM
- 130
- Open Key
- 4m
- Energy
- 77/100
- Pop
- 7/100
- Length
- 5:27
- Released
- 2021
- Album
- Anjunabeats Rising - Volume 6
- Genre
- Trance
- Loudness
- -6.5 dB
- ISRC
- GBEWA2103005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Biding Timeoriginal1A · 130
Against the original (1A at 130 BPM), this version holds the same tempo and moves the key from 1A to 11A.
Biding Time - Extended Mix runs 130 BPM in F♯ minor (11A), a peak-time tempo trance record. The feel is bright and euphoric. The mix is almost entirely instrumental. Brighter than 95% of Amy Wiles's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- calmer than 91% of Amy Wiles's catalogue
- Reach:
- more underground than 82% of Amy Wiles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Biding Time - Extended Mix in?
Biding Time - Extended Mix by Amy Wiles is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Biding Time - Extended Mix?
Biding Time - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Biding Time - Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Biding Time - Extended Mix good for peak time?
With energy 77 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![The Awakening [Transmission 2018 Theme] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/90ddd69e10571d9ff1a3.webp){kind=small}
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Golden Gate [San Francisco] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02e174a8d56176f52d163aa233){kind=small}
More trance
More from Amy Wiles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Every Little Beat [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
Every insight on this page, for your own library.
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