Here We Are - Daniel Kandi Intro Edit
30s preview
- BPM
- 130
- Open Key
- 11d
- Energy
- 77/100
- Pop
- 5/100
- Length
- 3:06
- Released
- 2013
- Album
- Enhanced Sessions Volume Three
- Genre
- Trance
- Loudness
- -8.1 dB
- Dynamics
- 16.0 dB
- ISRC
- GBKQU1228391
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Here We Are - Daniel Kandi Intro Edit is a peak-time tempo trance track in B♭ major (6B) at 130 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2013 production that still circulates in sets. More treble-tilted than 99% of Daniel Kandi's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 92% of Daniel Kandi's catalogue
- Brightness:
- darker than 92% of Daniel Kandi's catalogue
- Groove:
- groovier than 91% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Here We Are - Daniel Kandi Intro Edit in?
Here We Are - Daniel Kandi Intro Edit by Daniel Kandi is in B♭ major, or 6B on the Camelot wheel.
What BPM is Here We Are - Daniel Kandi Intro Edit?
Here We Are - Daniel Kandi Intro Edit runs at 130 BPM, a peak-time tempo track.
What mixes well with Here We Are - Daniel Kandi Intro Edit?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Here We Are - Daniel Kandi Intro Edit good for peak time?
With energy 77 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 130 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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