Until We Meet Again
- Key
- 7A · D minor
- BPM
- 138
- Open Key
- 12m
- Energy
- 97/100
- Pop
- 25/100
- Length
- 3:18
- Released
- 2025
- Genre
- Trance
- Loudness
- -6.4 dB
- ISRC
- QZK6F2596743
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Until We Meet Again - Extended Mixversion10B · 138
Until We Meet Again: driving up-tempo trance, D minor (7A), 138 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Darker than 99% of Daniel Kandi's catalogue.
- Reach:
- better known than 96% of Daniel Kandi's catalogue
- Groove:
- less groove-driven than 90% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Until We Meet Again in?
Until We Meet Again by Daniel Kandi is in D minor, or 7A on the Camelot wheel.
What BPM is Until We Meet Again?
Until We Meet Again runs at 138 BPM, a driving up-tempo track.
What mixes well with Until We Meet Again?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Until We Meet Again good for peak time?
With energy 97 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 138 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Daniel Kandi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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