SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit by Paul van Dyk cover art

SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit

Paul van Dyk

30s preview

Key
11B · A major
BPM
138
Open Key
4d
Energy
98/100
Pop
28/100
Length
3:17
Released
2018
Album
SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) [Edit]
Genre
Trance
Loudness
-6.5 dB
Dynamics
14.7 dB
ISRC
DEQ691800061

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 138 BPM in A major (11B), SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit is a driving up-tempo trance production. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2018 production that still circulates in sets. More treble-tilted than 95% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 92% of Paul van Dyk's catalogue
Reach:
better known than 91% of Paul van Dyk's catalogue
Energy:
hotter than 89% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood13Dark
Groove45
Acoustic0
Instrumental88
Live49
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit in?

SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit by Paul van Dyk is in A major, or 11B on the Camelot wheel.

What BPM is SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit?

SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit runs at 138 BPM, a driving up-tempo track.

What mixes well with SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is SHINE Ibiza Anthem 2018 (Paul van Dyk presents SHINE) - Edit good for peak time?

With energy 98 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 138 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 98/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.