Losing Light
- BPM
- 128
- Open Key
- 7d
- Energy
- 89/100
- Pop
- 22/100
- Length
- 3:45
- Released
- 2021
- Genre
- Trance
- Loudness
- -6.4 dB
- ISRC
- GBLV62105465
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Losing Light - Extended Mixversion2B · 128
Losing Light: peak-time tempo trance, F♯ major (2B), 128 BPM. The feel is dark and driving. It is vocal-led. Slower than 98% of Daniel Kandi's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 95% of Daniel Kandi's catalogue
- Groove:
- less groove-driven than 78% of Daniel Kandi's catalogue
- Energy:
- calmer than 76% of Daniel Kandi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Losing Light in?
Losing Light by Daniel Kandi is in F♯ major, or 2B on the Camelot wheel.
What BPM is Losing Light?
Losing Light runs at 128 BPM, a peak-time tempo track.
What mixes well with Losing Light?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Losing Light good for peak time?
With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Daniel Kandi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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