Stereo 11AM by Markus Schulz cover art

Stereo 11AM

Markus Schulz

30s preview

Key
7B · F major
BPM
128
Open Key
12d
Energy
89/100
Pop
14/100
Length
3:42
Released
2024
Genre
Trance
Loudness
-4.4 dB
Dynamics
14.1 dB
ISRC
NLD682401542

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Stereo 11AM is a peak-time tempo trance track in F major (7B) at 128 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 91% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 91% of Markus Schulz's catalogue
Tempo:
slower than 77% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood26Dark
Groove51
Acoustic0
Instrumental81
Live8
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Stereo 11AM in?

Stereo 11AM by Markus Schulz is in F major, or 7B on the Camelot wheel.

What BPM is Stereo 11AM?

Stereo 11AM runs at 128 BPM, a peak-time tempo track.

What mixes well with Stereo 11AM?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Stereo 11AM good for peak time?

With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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