Stereo 11AM
30s preview
- Key
- 7B · F major
- BPM
- 128
- Open Key
- 12d
- Energy
- 89/100
- Pop
- 14/100
- Length
- 3:42
- Released
- 2024
- Genre
- Trance
- Loudness
- -4.4 dB
- Dynamics
- 14.1 dB
- ISRC
- NLD682401542
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stereo 11AM (GDJB Weekly Drive 38)original7B · 128
- Stereo 11AM - Extended Mixversion11B · 128
Stereo 11AM is a peak-time tempo trance track in F major (7B) at 128 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 91% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 91% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Stereo 11AM in?
Stereo 11AM by Markus Schulz is in F major, or 7B on the Camelot wheel.
What BPM is Stereo 11AM?
Stereo 11AM runs at 128 BPM, a peak-time tempo track.
What mixes well with Stereo 11AM?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Stereo 11AM good for peak time?
With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 128 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.