Parallels Pt. 2 (edit) by Andrew Bayer cover art

Parallels Pt. 2 (edit)

Andrew Bayer

30s preview

Key
5A · C minor
BPM
128
Open Key
10m
Energy
87/100
Pop
9/100
Length
6:17
Released
2019
Genre
Progressive Trance
Loudness
-5.9 dB
Dynamics
14.6 dB
ISRC
GBEWA1903675

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in C minor (5A), Parallels Pt. 2 (edit) is a peak-time tempo progressive trance production. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). Darker than 93% of Andrew Bayer's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 87% of Andrew Bayer's catalogue
Energy:
hotter than 83% of Andrew Bayer's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood4Dark
Groove50
Acoustic0
Instrumental97
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Parallels Pt. 2 (edit) in?

Parallels Pt. 2 (edit) by Andrew Bayer is in C minor, or 5A on the Camelot wheel.

What BPM is Parallels Pt. 2 (edit)?

Parallels Pt. 2 (edit) runs at 128 BPM, a peak-time tempo track.

What mixes well with Parallels Pt. 2 (edit)?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Parallels Pt. 2 (edit) good for peak time?

With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

#TrackKey·BPM

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More progressive trance

More from Andrew Bayer

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.