Love Rain Down
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 87/100
- Pop
- 6/100
- Length
- 3:33
- Released
- 2012
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 11.7 dB
- ISRC
- NLF711205087
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Rain Down - 4 Strings Remixremix8A · 132
- Love Rain Down (feat. Seri) [Harry Square Remix]remix8A · 130
- Love Rain Down (Radio Edit) (feat. Seri)version8B · 128
Love Rain Down is a peak-time tempo trance track in C major (8B) at 128 BPM. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Less groove-driven than 88% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 86% of Markus Schulz's catalogue
- Brightness:
- brighter than 81% of Markus Schulz's catalogue
- Tempo:
- slower than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Love Rain Down in?
Love Rain Down by Markus Schulz is in C major, or 8B on the Camelot wheel.
What BPM is Love Rain Down?
Love Rain Down runs at 128 BPM, a peak-time tempo track.
What mixes well with Love Rain Down?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Love Rain Down good for peak time?
With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
![Corsten's Countdown 448 Intro [CC448] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e026d979db2bef8673e9026799f){kind=small}
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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