We Are Tonight (Radio Edit)
- BPM
- 128
- Open Key
- 7d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 3:40
- Released
- 2013
- Album
- We Are Tonight
- Genre
- Trance
- Loudness
- -6.0 dB
- ISRC
- PLB381300164
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are Tonight - Las Salinas Remixremix2A · 130
- We Are Tonight - Las Salinas Radio Editversion2A · 130
- We Are Tonight - Club Mixversion2A · 134
- We Are Tonightoriginal2B · 128
- We Are Tonight - Walden Extended Remixremix2A · 128
- We Are Tonightoriginal2B · 128
Against the original (2B at 128 BPM), this version holds the same tempo in the same key.
We Are Tonight (Radio Edit): peak-time tempo trance, F♯ major (2B), 128 BPM. It is vocal-led. A 2013 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue.
- Tempo:
- slower than 94% of Paul van Dyk's catalogue
- Groove:
- less groove-driven than 76% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Are Tonight (Radio Edit) in?
We Are Tonight (Radio Edit) by Paul van Dyk is in F♯ major, or 2B on the Camelot wheel.
What BPM is We Are Tonight (Radio Edit)?
We Are Tonight (Radio Edit) runs at 128 BPM, a peak-time tempo track.
What mixes well with We Are Tonight (Radio Edit)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is We Are Tonight (Radio Edit) good for peak time?
With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
![51°11′17″N 10°3′10″E [We Haven’t Lost Our Way] - by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/90ddd69e10571d9ff1a3.webp){kind=small}
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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