We Are Tonight - Club Mix
- BPM
- 134
- Open Key
- 7m
- Energy
- 79/100
- Pop
- 1/100
- Length
- 8:49
- Released
- 2013
- Album
- We Are Tonight (Remixes)
- Genre
- Trance
- Loudness
- -4.1 dB
- ISRC
- NLF711308828
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are Tonight - Las Salinas Remixremix2A · 130
- We Are Tonight - Las Salinas Radio Editversion2A · 130
- We Are Tonightoriginal2B · 128
- We Are Tonight - Walden Extended Remixremix2A · 128
- We Are Tonightoriginal2B · 128
- We Are Tonight (Radio Edit)version2B · 128
Against the original (2B at 128 BPM), this version runs 6 BPM faster and moves the key from 2B to 2A.
We Are Tonight - Club Mix: peak-time tempo trance, E♭ minor (2A), 134 BPM. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Are Tonight - Club Mix in?
We Are Tonight - Club Mix by Paul van Dyk is in E♭ minor, or 2A on the Camelot wheel.
What BPM is We Are Tonight - Club Mix?
We Are Tonight - Club Mix runs at 134 BPM, a peak-time tempo track.
What mixes well with We Are Tonight - Club Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is We Are Tonight - Club Mix good for peak time?
With energy 79 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
![Under The Sun [Mix Cut] - Markus Schulz Intro Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
How to mix it
In 2A at 134 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Melancholia (Giuseppe Ottaviani Fix) [feat. Ariette Florence] by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02633cc0fda5e8935d161a5d94){kind=small}
More trance
![Megashira [Mix Cut] - Ronski Speed Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Sun and Moon [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.