Slave - Sunny Lax Extended Remix
30s preview
- BPM
- 134
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2021
- Album
- Slave (Sunny Lax Remix)
- Genre
- Progressive Trance
- Loudness
- -6.7 dB
- Dynamics
- 12.0 dB
- ISRC
- GBKQU2178863
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Slave - Sunny Lax Remixremix3A · 134
At 134 BPM in B♭ minor (3A), Slave - Sunny Lax Extended Remix is a peak-time tempo progressive trance production. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Sunny Lax's catalogue.
- Low end:
- more treble-tilted than 99% of Sunny Lax's catalogue
- Tempo:
- faster than 86% of Sunny Lax's catalogue
- Brightness:
- darker than 75% of Sunny Lax's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Slave - Sunny Lax Extended Remix in?
Slave - Sunny Lax Extended Remix by Sunny Lax is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Slave - Sunny Lax Extended Remix?
Slave - Sunny Lax Extended Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Slave - Sunny Lax Extended Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Slave - Sunny Lax Extended Remix good for peak time?
With energy 84 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
![Thing Called Love [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
How to mix it
In 3A at 134 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Go On Air [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More progressive trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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