![Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74)
Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix
- Key
- 4A · F minor
- BPM
- 134
- Open Key
- 9m
- Energy
- 86/100
- Pop
- 0/100
- Length
- 7:39
- Released
- 2004
- Album
- Coldharbour Sessions 2004 (Mixed Version)
- Genre
- Trance
- Loudness
- -9.5 dB
- ISRC
- NLF711305327
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix runs 134 BPM in F minor (4A), a peak-time tempo trance record. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2004 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 83% of Markus Schulz's catalogue
- Brightness:
- brighter than 77% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix in?
Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix by Markus Schulz is in F minor, or 4A on the Camelot wheel.
What BPM is Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix?
Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix good for peak time?
With energy 86 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 134 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Go On Air [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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