A State of Mind - Alternative Extended Version
30s preview
- Key
- 4A · F minor
- BPM
- 134
- Open Key
- 9m
- Energy
- 83/100
- Pop
- 3/100
- Length
- 10:23
- Released
- 2020
- Album
- One+
- Genre
- Trance
- Loudness
- -10.8 dB
- Dynamics
- 12.1 dB
- ISRC
- NLE712000451
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A State of Mind - Mike Saint-Jules Extended Interstellar Mixversion3B · 131
- A State of Mindoriginal4A · 130
- A State of Mind - Extended Mixversion4A · 130
- A State of Mind - Pure Mixoriginal11A · 138
- A State of Mind - Mike Saint-Jules Interstellar Mixoriginal4A · 131
- A State of Mind (Mix Cut) - Mike St. Jules Interstellar Mixoriginal4A · 134
Against the original (4A at 130 BPM), this version runs 4 BPM faster in the same key.
A State of Mind - Alternative Extended Version runs 134 BPM in F minor (4A), a peak-time tempo trance record. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 80% of Solarstone's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is A State of Mind - Alternative Extended Version in?
A State of Mind - Alternative Extended Version by Solarstone is in F minor, or 4A on the Camelot wheel.
What BPM is A State of Mind - Alternative Extended Version?
A State of Mind - Alternative Extended Version runs at 134 BPM, a peak-time tempo track.
What mixes well with A State of Mind - Alternative Extended Version?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is A State of Mind - Alternative Extended Version good for peak time?
With energy 83 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Under The Sun [Mix Cut] - Markus Schulz Intro Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
How to mix it
In 4A at 134 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More trance
![Go On Air [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More from Solarstone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Thing Called Love [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.