Followed by Light (album mix)
30s preview
- BPM
- 134
- Open Key
- 5d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 4:39
- Released
- 2014
- Genre
- Trance
- Loudness
- -4.0 dB
- Dynamics
- 10.1 dB
- ISRC
- NLF711402093
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Followed by Light (album mix) runs 134 BPM in E major (12B), a peak-time tempo trance record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Andrew Rayel's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 92% of Andrew Rayel's catalogue
- Low end:
- more bass-heavy than 87% of Andrew Rayel's catalogue
- Energy:
- calmer than 85% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Followed by Light (album mix) in?
Followed by Light (album mix) by Andrew Rayel is in E major, or 12B on the Camelot wheel.
What BPM is Followed by Light (album mix)?
Followed by Light (album mix) runs at 134 BPM, a peak-time tempo track.
What mixes well with Followed by Light (album mix)?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Followed by Light (album mix) good for peak time?
With energy 79 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 134 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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