Can We Still Feel (Extasia extended mix)
30s preview
- Key
- 5A · C minor
- BPM
- 130
- Open Key
- 10m
- Energy
- 96/100
- Pop
- 34/100
- Length
- 3:55
- Released
- 2024
- Genre
- Trance
- Loudness
- -4.9 dB
- Dynamics
- 14.0 dB
- ISRC
- GBKQU2481323
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Can We Still Feel (Extasia extended mix) is a peak-time tempo trance track in C minor (5A) at 130 BPM. It reads as dark and driving. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 99% of Andrew Rayel's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 94% of Andrew Rayel's catalogue
- Energy:
- hotter than 80% of Andrew Rayel's catalogue
- Tempo:
- slower than 79% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Can We Still Feel (Extasia extended mix) in?
Can We Still Feel (Extasia extended mix) by Andrew Rayel is in C minor, or 5A on the Camelot wheel.
What BPM is Can We Still Feel (Extasia extended mix)?
Can We Still Feel (Extasia extended mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Can We Still Feel (Extasia extended mix)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Can We Still Feel (Extasia extended mix) good for peak time?
With energy 96 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
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How to mix it
In 5A at 130 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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