Love Will (feat. Duane Harden) - Radio Edit
30s preview
- Key
- 4A · F minor
- BPM
- 130
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 2:58
- Released
- 2013
- Album
- Love Will (feat. Duane Harden)
- Genre
- Trance
- Loudness
- -3.5 dB
- Dynamics
- 12.2 dB
- ISRC
- NLQ881301087
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Will - Radio Editversion4A · 130
- Love Will (feat. Duane Harden) - Greenflash Remixremix5A · 130
- Love Will (feat. Duane Harden) - Jesse Voorn Remixremix4A · 128
- Love Will (feat. Duane Harden)original4A · 130
Against the original (4A at 130 BPM), this version holds the same tempo in the same key.
Love Will (feat. Duane Harden) - Radio Edit: peak-time tempo trance, F minor (4A), 130 BPM. The feel is bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of Ferry Corsten's catalogue
- Low end:
- more treble-tilted than 87% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Love Will (feat. Duane Harden) - Radio Edit in?
Love Will (feat. Duane Harden) - Radio Edit by Ferry Corsten is in F minor, or 4A on the Camelot wheel.
What BPM is Love Will (feat. Duane Harden) - Radio Edit?
Love Will (feat. Duane Harden) - Radio Edit runs at 130 BPM, a peak-time tempo track.
What mixes well with Love Will (feat. Duane Harden) - Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Love Will (feat. Duane Harden) - Radio Edit good for peak time?
With energy 94 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
![Noom [Mix Cut] by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e029c97e38349ebafeed8d5aff3){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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