And Then You Came
- Key
- 8B · C major
- BPM
- 144
- Half-time
- 72
- Open Key
- 1d
- Energy
- 14/100
- Pop
- 44/100
- Length
- 4:48
- Released
- 2020
- Genre
- Trance
- Loudness
- -20.6 dB
- ISRC
- NLF712012350
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
And Then You Came: driving up-tempo trance, C major (8B), 144 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The master keeps real dynamic headroom. Darker than 99% of Ferry Corsten's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- better known than 99% of Ferry Corsten's catalogue
- Groove:
- less groove-driven than 98% of Ferry Corsten's catalogue
- Tempo:
- faster than 97% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is And Then You Came in?
And Then You Came by Ferry Corsten is in C major, or 8B on the Camelot wheel.
What BPM is And Then You Came?
And Then You Came runs at 144 BPM, a driving up-tempo track.
What mixes well with And Then You Came?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is And Then You Came good for peak time?
With energy 14 out of 100 at 144 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 144 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 135-153 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 144 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 144 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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