Rock Your Body Rock - Original Edit
30s preview
- BPM
- 132
- Open Key
- 9d
- Energy
- 67/100
- Pop
- 32/100
- Length
- 3:37
- Released
- 2003
- Album
- Rock Your Body Rock
- Genre
- Trance
- Loudness
- -9.8 dB
- Dynamics
- 13.4 dB
- ISRC
- NLB770300084
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rock Your Body Rockoriginal5B · 132
- Rock Your Body Rock - Extended Mixversion2B · 132
- Rock Your Body Rock - ARTY Rock-N-Rolla Mixoriginal5B · 129
- Rock Your Body Rock - Dimitri Vegas & Like Mike Mainstage Remixremix4A · 129
- Rock Your Body Rockoriginal5A · 132
- Rock Your Body Rock - Space Motion Extended Remixremix6B · 126
Against the original (5B at 132 BPM), this version holds the same tempo and moves the key from 5B to 4B.
At 132 BPM in A♭ major (4B), Rock Your Body Rock - Original Edit is a peak-time tempo trance production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2003 production that still circulates in sets. Better known than 97% of Ferry Corsten's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 82% of Ferry Corsten's catalogue
- Energy:
- calmer than 81% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Rock Your Body Rock - Original Edit in?
Rock Your Body Rock - Original Edit by Ferry Corsten is in A♭ major, or 4B on the Camelot wheel.
What BPM is Rock Your Body Rock - Original Edit?
Rock Your Body Rock - Original Edit runs at 132 BPM, a peak-time tempo track.
What mixes well with Rock Your Body Rock - Original Edit?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Rock Your Body Rock - Original Edit good for peak time?
With energy 67 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
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How to mix it
In 4B at 132 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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