’Til I’m Home
30s preview
- BPM
- 132
- Open Key
- 3m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2025
- Album
- Bigger Than All Of Us
- Genre
- Progressive Trance
- Loudness
- -7.2 dB
- Dynamics
- 11.0 dB
- ISRC
- GBEWA2503104
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, ’Til I’m Home sits in B minor (10A) at 132 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 82% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is ’Til I’m Home in?
’Til I’m Home by Above & Beyond is in B minor, or 10A on the Camelot wheel.
What BPM is ’Til I’m Home?
’Til I’m Home runs at 132 BPM, a peak-time tempo track.
What mixes well with ’Til I’m Home?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is ’Til I’m Home good for peak time?
With energy 70 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Another Time [Mix Cut] by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Satellite [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
![Sweetest Heart [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Event Horizon [CC484] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0290404276e872a3623c9cda37){kind=small}
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