![Sweetest Heart [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp)
Sweetest Heart [feat. Zoë Johnston]
- BPM
- 132
- Open Key
- 8d
- Energy
- 71/100
- Pop
- 0/100
- Length
- 3:37
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -7.8 dB
- ISRC
- GBEWA1100281
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sweetest Heart - Shai T Extended Mixversion3A · 123
- Sweetest Heart - Shai T Remixremix3A · 123
At 132 BPM in D♭ major (3B), Sweetest Heart [feat. Zoë Johnston] is a peak-time tempo progressive trance production. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Above & Beyond's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 96% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sweetest Heart [feat. Zoë Johnston] in?
Sweetest Heart [feat. Zoë Johnston] by Above & Beyond is in D♭ major, or 3B on the Camelot wheel.
What BPM is Sweetest Heart [feat. Zoë Johnston]?
Sweetest Heart [feat. Zoë Johnston] runs at 132 BPM, a peak-time tempo track.
What mixes well with Sweetest Heart [feat. Zoë Johnston]?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Sweetest Heart [feat. Zoë Johnston] good for peak time?
With energy 71 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Jump The Next Train [Mix Cut] - Kyau vs Albert 2014 Remake by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![Satellite [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
More progressive trance
![Event Horizon [CC484] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0290404276e872a3623c9cda37){kind=small}
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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