Butterfly Effect (original mix) by Oliver Smith cover art

Butterfly Effect (original mix)

Oliver Smith

Key
2B · F♯ major
BPM
132
Open Key
7d
Energy
70/100
Pop
12/100
Length
7:00
Released
2011
Genre
Progressive Trance
Loudness
-7.3 dB
ISRC
GBEWA1100641

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 132 BPM in F♯ major (2B), Butterfly Effect (original mix) is a peak-time tempo progressive trance production. It reads as dark and driving. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Faster than 79% of Oliver Smith's catalogue. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood34Balanced
Groove62
Acoustic0
Instrumental86
Live30
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Butterfly Effect (original mix) in?

Butterfly Effect (original mix) by Oliver Smith is in F♯ major, or 2B on the Camelot wheel.

What BPM is Butterfly Effect (original mix)?

Butterfly Effect (original mix) runs at 132 BPM, a peak-time tempo track.

What mixes well with Butterfly Effect (original mix)?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Butterfly Effect (original mix) good for peak time?

With energy 70 out of 100 at 132 BPM, it works best as a mid-set roller.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More progressive trance

More from Oliver Smith

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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