Are You With Me - Extended Club Mix
30s preview
- BPM
- 132
- Open Key
- 4d
- Energy
- 67/100
- Pop
- 1/100
- Length
- 6:48
- Released
- 2020
- Album
- Are You With Me
- Genre
- Trance
- Loudness
- -7.7 dB
- Dynamics
- 11.3 dB
- ISRC
- NLE712000199
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Are You With Me - Club Mixversion12A · 132
- Are You With Meoriginal12A · 120
Against the original (12A at 120 BPM), this version runs 12 BPM faster and moves the key from 12A to 11B.
At 132 BPM in A major (11B), Are You With Me - Extended Club Mix is a peak-time tempo trance production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Calmer than 85% of Markus Schulz's catalogue.
- Low end:
- more bass-heavy than 83% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Are You With Me - Extended Club Mix in?
Are You With Me - Extended Club Mix by Markus Schulz is in A major, or 11B on the Camelot wheel.
What BPM is Are You With Me - Extended Club Mix?
Are You With Me - Extended Club Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Are You With Me - Extended Club Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Are You With Me - Extended Club Mix good for peak time?
With energy 67 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![Another Time [Mix Cut] by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 11B at 132 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More trance
![Tranquility [Mix Cut] - Markus Schulz Coldharbour Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.